01 — Overview
Generated through code, DATASPHERE reflects Anna Condo's exploration of imaginary landscapes that echo both ancient ritual and futuristic infrastructure. Her totems rise like monuments to myth, memory, and data, standing at the threshold where technology becomes archeology.
Condo invites us to see information not as noise but as architecture, alive with color, rhythm, texture, and presence. Timeless, generative, joyful. The series is both discovery and reflection, a meditation on perception.
This exhibition brings twelve selected outputs from the DATASPHERE generative series — originally released on Art Blocks — into physical space. Printed at monumental scale on translucent architectural paper and suspended from warehouse trusses on fine monofilament line, the works transform from screen-based code into an immersive environment shaped by natural light, shadow, and the architecture of Marfa itself.
When intuition meets system, do emotions form? How can technology honor what we call nature?
02 — Selected Works
Rendered interior studies — mixed installation language with suspended architectural paper panels, framed works, and projected light
03 — Installation Views
Rendered studies focus on the strongest installation language: suspended translucent architectural paper under warm natural light, hung on fine monofilament line for minimal visual interference. Golden-hour conditions remain the clearest for scale, glow, and legibility.
Outdoor pavilion study — nested transparent glass cubes carrying DATASPHERE linework, scaled for golden-hour desert light and long-view siting.
04 — Landscape Component
An outdoor element extends the installation into the desert. It can take the form of a single large-scale glass panel or a nested glass pavilion, each carrying DATASPHERE outputs against the open landscape. The transparency of the glass allows the generative drawings to merge with the horizon, mountains, and sky — code-born monuments placed in a real terrain.
Against the open desert, the glass structure reads as a window, a map, and a monument simultaneously.
05 — Venue & Space
Industrial warehouse or agricultural building with exposed trusses, minimum 20-foot ceiling height. Open floor plan, concrete or packed-earth floor.
2,500 — 4,000 sq ft ideal. The installation requires depth for the suspended panels to be viewed from multiple angles and distances.
Natural light is essential to the work. At least one large opening (roll-up door, clerestory, or skylight) for daylight projection through the translucent architectural paper.
Fine monofilament line suspended from existing ceiling structure. Panels are lightweight architectural paper and do not require heavy rigging.
One custom glass vitrine (approx. 36 x 36 x 72 in.) for original working drawings and process documentation.
Two-week run spanning Chinati week and Art Blocks Weekend. Installation requires 3 — 5 days. De-installation 1 — 2 days.
06 — Timeline
07 — Budget
| Large-format architectural paper printing (12 panels) | $4,800 |
| Glass panel fabrication and steel armature | $7,500 |
| Vitrine fabrication | $5,000 |
| Hanging hardware and rigging | $1,200 |
| Shipping (studio to Marfa, round trip) | $8,000 |
| Artist travel and accommodation (10 days) | $5,200 |
| Installation labor (2 assistants, 5 days) | $3,600 |
| Documentation (photography and video) | $3,400 |
| Contingency / reserve | $3,800 |
| Estimated total | $42,500 |
These figures are planning estimates based on current fabrication, freight, travel, and labor research. Final costs will be refined once venue conditions, exact dimensions, fabrication specs, and installation scope are confirmed.
08 — Artist
Long—Projects
josh@long-projects.com
DATASPHERE on Art Blocks
111 unique works — Art Blocks Studio
New York, NY
Anna Condo is an Armenian-born, French-raised multimedia artist working at the intersection of technology and artistic expression. With a background in film, photography, and visual art, her practice bridges tradition and innovation. She approaches machine learning and AI as mediums for preserving and transmitting beauty in a rapidly shifting world, combining poetic sensitivity with conceptual rigor. Condo lives and works in New York City.
Her generative series DATASPHERE, released on Art Blocks in March 2026, translates these concerns into code: algorithmic totems that combine modular symbolic registers into unique compositions across palettes, seasons, and orientations. Each output is a monument to myth, memory, and data.
09 — Selected Exhibitions
10 — Selected Press